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Introduction
Cambodia, Breaking the Bonds of History is a book which
needs writing. Cambodia is a growing destination for international tourists,
generating an international interest in the country unseen for many years.
This influx of tourists is stimulating change at a break-neck pace in
many parts of the country, and many of the images presented here may disappear
in a very short time. Cambodia as a whole has not been visually or textually
explored in a manner accessible to the casual visitor. While some projects
have cast their gaze beyond the horror of the Khmer Rouge and the splendor
of the Angkorian Temples, no recent project has sought to provide an in-depth
view of life throughout the country.
Cambodia is a country rich in visual extremes. The dense jungle of the
Cardamom mountains, the mangrove forests of Kirirom national park, the
urban sprawl of Phnom Penh, the wilds of Ratanakiri and finally the stunning
temple-scapes of Angkor offer a range of images incredible in scope. Delving
beyond the wealth of physical geography in the country, one encounters
seasonal differences which transform rice fields from emerald green, to
a burnt golden wave, to a blackened patch of ground within a span of a
few months time. The sky itself changes over the course of a year, from
searing blue to a dull graphite, leaving only the contrast offered by
the blood-red earth unchanged.
In a trip around Cambodia one will encounter many modes of life. Farmers
grow rice, fruit trees, rubber trees and vegetables. Fisherman ply their
trade on the Tonle Sap lake, the Mekong river, and off the coast in the
teeming waters of the South China Sea. In Phnom Penh cyclos prowl the
streets against a background of women toiling to produce the garments
we wear in the west, peddlers wandering the streets pitching their wares,
and shop owners selling a stunning range of goods. In Siem Reap moto drivers
patrol the tourist quarter offering temple tours, marijuana, and lady
massage while a few kilometers in any direction leaves the more intrepid
visitor far from the beaten track.
Religions of all ilk are present, from the traditions of the native animism
to the long-ago adopted Buddhism, the Islamic tradition brought to the
country by the Cham people, and the new wave of Christianity promoted
by missionaries from far and near. Visually each offers a different scene-
wooden churches set next to functioning wats, spirit houses ten meters
from a mosque. Buddhist monks walk purposefully under the morning sun
from door to door, gathering alms. Muslims gather for prayer at the local
mosque taking a few moments to change into their garb of choice after
dressing to blend with the general population for work. Lay men and women
take a break from their hurried lives to make offerings at shrines throughout
the country.
Cambodia is, in short, visually stunning. At the same time, outside of
the temples, its aural charm is under represented in the body of work
produced about the country. Our book aims to change that. We offer this
book to expose the literally hundreds of thousands of yearly visitors
to a Cambodia which exists outside of their limited observations. The
roads of Cambodia and its rough physical landscape make travel a challenge,
and the vast majority of foreign visitors to Cambodia spend their entire
time in Siem Reap, oblivious to the beauty and charm of Cambodia's landscapes
and people beyond the limits of Siem Reap town and the Angkor Park. This
book will aid in changing that.
David and I have become captivated by Cambodia, and while both of us are
in awe of the temples, the true draw of the country for us has been the
countryside, the people, and the undulations of Phnom Penh as arguably
the last truly languorous remnant of colonial Indochina. We wish to bring
the beauty, the ragged charm and the harsh reality of Cambodia as a whole
into the view of the world as represented by the tourist population. Our
book will also provide a souvenir for the person who went further afield,
who saw parts of Cambodia we have also seen and captured here. The accompanying
text will transport the reader back to the village they may have visited
briefly, and conjure the sights and sounds, both wonderful and appalling,
of the town markets, the cityscapes, and rural backwater most likely viewed
at full speed from some form of transport utilized to travel between highly
touristed destinations.
We will use this book to show the world what we love about Cambodia, to
allow people to bring a memoir of the sights, sounds and textures of Cambodia
into their homes. To adequately portray a subject it must be adored, and
we adore Cambodia, her people, her beauty, her problems. This book will
bring to light areas of Cambodia which are otherwise ignored. It is of
course only a sample of the country, a survey and by necessity limited
in scope, but it will offer readers Cambodia on a grander scale than is
available now. By choosing to portray the country as a whole we are targeting
a lofty goal, looking to tell the story of a country and a people through
images and words made available to us by the land and the human beings
who inhabit it. We believe we have succeeded in creating a body of work
unique in its scope and focus. We believe we have created a necessary
book, one which will give voice to a land and a culture long ignored,
one deemed insignificant by the great powers of the world. Cambodia is
significant to those who encounter it, for it offers a glimpse of a time
nearly passed, of a culture overflowing with gentleness, mystery, and
celebration; a glimpse of a country once lost and beginning to find itself
once again, even as so much of it begins to disappear.
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